The upcoming publication, part of Yto Barrada’s project for the French pavilion at the Venice Biennale, is set to make a significant impact in the art world. Scheduled for release in the summer of 2026, the book will delve into the intricate relationship between textiles and visual narratives.
This publication will report on the extensive research carried out by Barrada, focusing on dyeing, fabrics, and textile techniques. A unique feature of the book will be a glossary that highlights polysemous terms, whose meanings shift depending on context, enriching the reader’s understanding of the subject matter.
In a departure from traditional academic formats, the book aims to subvert Western bookish codes by prioritizing visuals over text. It will include ‘plates’ where images take center stage, with text strategically placed in the margins. This innovative approach encourages readers to engage with the material in a more dynamic way.
Myriam Ben Salah, a notable curator, will provide an introduction to the publication, setting the stage for the diverse perspectives included within. Additionally, the book will feature an essay by anthropologist Arnaud Dubois, offering insights into the cultural implications of the themes explored.
Furthermore, readers can look forward to an unpublished contribution from historian Marcel Bénabou, adding depth to the discourse surrounding the project. The publication is designed to weave together multiple perspectives and vanishing lines, extending the experience of the Venice exhibition.
As Barrada’s project unfolds, initial reactions from the art community have been positive, with many expressing excitement over the innovative format and the depth of research involved. Observers anticipate that this publication will not only enhance the understanding of textiles in contemporary art but also challenge existing narratives.
In this ‘subjective encyclopedia’, the reader forks and drifts at the whim of associations and cross-references, notably to the introductory glossary. This approach is expected to create a rich tapestry of ideas, inviting readers to explore the intersections of art and culture.
As the release date approaches, the anticipation surrounding Comme Saturne continues to grow, with many eager to see how Barrada’s vision will unfold in print. Details remain unconfirmed, but the project promises to be a significant contribution to the discourse on textiles and visual arts.
